This is the second installment of my adventures using 35mm film with a DIY adapter in a Bronica SQ 220 back. For this trip I intended to shoot one roll with some 5 year expired Ilford Delta 100 and hoped they'd turn out well. I find these shots give an interesting perspectives, a narrow window into the landscapes, which I think works quite well in the images shared here. As for the expired film, it looks ok, but lacked quite a bit of contrast in the original scans so I've improved this using digital methods. You may also notice some damage apparent on the outside of the sprocket holes: I self developed this roll and I realsed the ball bearing in the intake of my patterson film spiral are corroded and scratch the emulsion. Not an issue normally, but a bit of a shame when you're exposing the entire film height.
Cornwall, the toe of Great Britain, is a truly magical place of pastel colours. The blue sea and the rocky coast are sights to behold and the driving between destinations through small villages and farms makes you wonder how tranquil it must be to live around here. Well, except for the hordes of tourists, of which I was one.
This was only a long weekend trip with my wife and in-laws, but still somehow I managed to bring a whole bag of camera gear. I had such a good time using my Bronica the prior month in Scotland that I just had to take it. Then I also decided to take my D7100 resulting in a rather full backpack. I have a Kata split camera backpack where the bottom will fit in a DSLR an a few lenses whilst the top portion is open to take other items like books or a packed lunch. Unfortunately keeping the Bronica in the top compartment was a bad idea - one of the backs with still to be fully exposed opened during the journey home. It was my colour roll of Portra and I was sure I'd lost most of the shots (I'd taken 10 so had 2 left). I resolved to pay for its development anyway thinking that at least a few from the beginning would be ok. Turns out 8 were not affected which was a very nice surprise! For my forthcoming Iceland photo trip I have decided to upgrade to a Lowepro pro runner 450 which can take an incredible amount of gear and still fit (fingers crossed) as a carry-on.
As with most trips traveling with non-photographers its a compromise in visiting locations good for photography but typically not at the best times of day. With my trusty "Photographing Cornwall and Devon" guide from the Fotovue series that had served me so well in Scotland I picked out some key coastal locations, my favourite being secluded Porth Naven, in contrast to the the touristy Lands End (which still has some epic rock formations in the sea) and the charming St Ives where we stayed in the fantastic Pedn Olva hotel (every room has a sea view!).
Did you know that you could easily use 35mm film with a Bronica SQ? In fact they made two 35mm backs: one denoted N for a normal 35mm frame and one denoted W for wide panoramic shots. Both of these are pretty expensive and the latter is rare enough that I have never seen one listed on eBay. I understand that these backs run the 35mm horizontal through the back and do not expose the sprocket holes.
220 backs however are far more plentiful (and cheaper!) due to the lack of native film available for these. However they also made a great candidate for using 35mm film (here is a great guide of how you can adapt a film reel to do this). Using this method the film travels vertically through the back, the same way a medium format roll would, which makes landscape shots a little awkward as you need to rotate the camera 90 degrees. The frame is nice and wide and I typically get 12-14 shots per roll of 35mm depending on how much film is wasted on the leader (as although I use a DIY paper leader taped to the film, I think my measurement is a bit off). With the waist level finder showing an inverted image this is really awkward, so I've found it best to use a prism finder and mount the camera on a tripod for landscape oriented shots. The other annoyance is that once the roll is finished, there is no rewind method, as this wasn't a requirement for 220 film, so it requires a dark bag to unload the film or at least open the back and rewind the 35mm canister. This method also exposes the whole film width, including sprocket holes, which depending on your point of view is excessively hipsterish (as someone pointed out to me on reddit) or very cool.
Whilst I haven't used this method excessively (after all I own a medium format camera to use medium format film) I did decide to try it out in an extra back I took on my Scotland trip with some expired Ilford Delta 100 which I'll post separately soon. I then went back to revisit some shots from when I had first moved to NYC in 2013. I was big on double exposures back then, as you can tell.
The new year of 2018 saw the East Coast USA dumped with a ton of snow in a massive storm. I was staying in Harlem at the time and the below are a few snapshots from a short cold walk around the block. This is from my second roll of film through my Nikon F2.