Lanzarote is awash with texture and martian colours. Nowhere is this more distinct than the Green Lagoon just outside the town of El Golfo. I arrived there around sunset and the sun setting illuminating the rocks was a sight to behold. The details of the red, blue and brown volcanic rocks drew my eye and soon the Bronica was mounted on my tripod with the 150mm lens pointed at an intersection of colours I found particularly interesting . This was actually one of the images I was looking forward to seeing most when my film returned from the lab especially to see how Kodak Ektar rendered the colour. Opening the high quality scan on the CD that Peak Imaging (who I've used quite alot this year for my process and scanning) I was taken aback. Those vibrant tones! But then I realised there was a mark in the center of the frame. Checking the negative, clearly something had gone wrong, with a dark mark and halo effect around it. Things can go wrong in many places when shooting film and the feedback loop is pretty long. Unfortunately I'm not in the habit of bracketing most of my shots so I understood that regardless of the root cause Photoshop's clone tool would be the solution. Still I was interested to hear what the issue was so I sent it back to the lab for their inspection. Great customer service, in my opinion, should be primarily judged on when there is a problem for the client. This was the first issue I'd had in the many years and rolls of film I had sent to Peak Imaging and so I was keen to see how this was handled. The negatives and CD were sent back to them using their freepost label and within a couple of days one of the lab managers called me with his feedback. I had a good conversation with him and he described how he was quite perplexed by the mark as being on frame 8 of the roll it seemed unlikely to be a processing issue. Perhaps the roll itself had a manufacturing issue. Anyway he offered to digitally fix the image and produce me a 10x10 print of the image which was very welcome and despite not being able to offer a clear theory as what happened I appreciated the thoroughness of his explanation for what it could have been and why each scenario had reasons to be unlikely. Digital saved the analogue day!
The rugged volcanic Canary Island Lanzarote offers much for the Landscape photographer. I visited at the end of October hoping for a little winter sun, but the cloudy days gave me good excuse to take my Bronica to the ample photogenic spots on the island. A full write up of the trip will come soon, for now, enjoy these shots!
Mirrorless cameras appear to be on an unstoppable rise, and appear to be diminishing the popularity of DSLRs, if not making them seem archaic.
The benefits over a DSLR are compelling, primarily the size and weight. I am also drawn to the trend of styling harking back to the film rangefinder era; the resurgence of aperture rings and shutter speed dials in particular. Widely available adapters for almost all lens mounts and the focus peaking available within EVFs is a huge boon to using old manual focus lenses, like the collection of Ai (and pre-ai) Nikkors in my collection.
I’m rarely a first mover when it comes to camera gear. As an amateur I think it’s far more financially prudent to buy gear that is second hand, a model that has been out a while or both. So when I saw a second hand FujiFilm XE2 in the window of my local camera shop earlier this year for around £200 I thought this was a great opportunity to see what all the fuss was about and to fill a gap for a lightweight performant camera that had existed since I sold my Canon G15 compact.
Personally I love the design and ergonomics of this camera. The whole FujiFilm line looks great from my perspective. As for weight - partnered with one of Fuji’s compact primes (I use the 18mm f2) it’s far less heavy and compact than any option I have with my Nikon D7100 DSLR. This is important for me for activities like hiking, but also for when I’m doing a trip with my Bronica medium format camera. Taking a full DSLR and Medium format film set up equates to a very heavy bag (10KG+) which isn’t much fun to lug around.
So how did it perform? I took this camera along with my Bronica to Lanzarote in October and gave it a proper run out. Overall very good! I didn’t miss the bulk of my DSLR and was great for hiking with. Sharpness / resolution of the sensor + 18mm lens is well upto my standards (although maybe the 18mm f2 is a bit softer in the corners than I’d like). I also accompanied it with the Nikon 50mm and 100mm Series E lenses, two of the most compact Nikon F mount lenses available, and whilst that worked OK, the focus peaking around infinity seemed a bit problematic. The Fuji to F mount adapter is not designed to retain the exact focus of the lens - I.e. the infinity hard stop ends up well past infinity on my copy. This will be important to bear in mind in future.
A couple of surprises, for long exposures with an ND64 or 10x ND filter the EVF would adjust its brightness so you could actually compose and focus your shot whilst using these filters. A nice change from the blackout you get in a DSLR viewfinder! I was a bit confused when trying my first long exposure though, as it seemed impossible to set the shutter speed (with the T setting) to multiple seconds. It turns out that you need to disable the electronic shutter to do this - a case for reading the manual before using the camera!
As for the images they're perfectly fine. It doesn't seem entirely fair to compare these photos to ones from my D7100 as the lens selection I have for the F mount far surpasses the Fuji, although that being said I do prefer the overall image rendition from the D7100 so far. Insofar as the quality to size/weight ratio this Fuji has thoroughly impressed me and seems to fully fit the gap I had - a small lightweight performant camera for short trips where photography was a secondary purpose and/or involved alot of hiking.
So in conclusion when judging this camera on price/performance/size/weight it excels. Its a great digital companion to the film shooter with similar ergonomics and also little details like the standard threaded shutter release is very helpful for using the same gear between this and a film camera. Whilst the EVF took me a while to get used to (and frankly I still prefer the optical finder in all situations except using strong ND filters) its overall not so bad and is a boon especially when using an adapter with old film lenses to see focus peaking and exposure. Mirror-less probably represents a significant fraction of the future for digital photography and leaves me with a bit of a conundrum. Really I had wanted Nikon to come out with a mirrorless that was a native F mount and kept with their design choices to maximise compatibility with their older lenses. The Z6/7 cameras don't use the F mount, so an adapter is needed anyway, plus they are positioned at a much higher market than something like the XE2. How I do wish they would come out with a mirrorless Nikon FM styled body at a reasonable price. This does mean if I wanted to swap to a mirrorless system I'd probably be better selling all of my Nikon gear and migrating to another brand like Fuji. Given my sunk cost in Nikon gear and my love for their film SLRs I don't think a switch will be anytime soon, so this Fujifilm XE2 works quite well as a comprimise.
For the late August bank holiday I ventured to the south coast with the aim of capturing a few shots of the Jurassic coast with my Bronica. Its not a part of the country I had ever visited before and Durdle Door had been on my to-see list for some time. So I took the train out of Waterloo station to Poole on the Saturday, rented a car there and took off to Old Harry Rocks. My Bronica accompanied me with some Kodak Ektar and TMax 400 loaded. I had two rolls of Ektar loaded, one in 35mm and one 120mm. Previously I have written about using a DIY adapter to shoot panoramic 35mm film in the Bronica but recently I saw a normal 35mm back for sale in my local camera shop and decided to pick it up. I'm only halfway through finishing the roll and I'll do a writeup of that experience when its done.
It's a longer than expected but easy stroll to the cliffs from the National Trust car park. Upon arrival its quite striking to see the cliffs. They're common sights on Instagram and from the air the cliffs look like a big block of white cheese someone has been busy taking bites out of around the edges. Still cool sights to see from the top but not quite as impressive as seen from the sky. Reviewing these images I do wish I'd made use of my 10 stop ND filter - the texture of the rock would benefit from the sea being smoothed out.
Next I proceeded on to Lulworth and the quintessential sight of Durdle Door. The village of Lulworth was the most picturesque traffic jam I've been in for a while. The old tiny streets straining to keep up with the numbers of tourists and busses passing through on a busy bank holiday weekend. Despite it being cold and very windy it was a surprise to see a large number of people of the beach down below by the arch. The sun was crawling lower in the late afternoon sky and I decided to stay up on the clifftop path to get my shots. The one at the top of this article is my clear favourite and makes use of the 10 stop B+W filter in my arsenal. I'm not really sure why I didn't use it for the two photos above also.
I finished up my photography on the trip with a visit to the Isle of Portland and Pulpit rock. The weather here was that of ferocious wind, so much so that even with my tripod a long exposure would suffer from significant shake. The tide was in and the waves were large and so didn't enable me to get any of the shots I'd envisioned. Despite not being anywhere near what I wanted the shot above still took a great deal of patience as people would stand by the rock for 10-15 minutes at a time taking selfies and so I had to time my shot whilst people were walking away. This was made even more challenging by the constant spray covering the lens.
Overall a really great trip and a part of the world I'd definitely like to visit again with my camera!